Please welcome our guest blogger today, Libby Malin, author of My Own Personal Soap Opera.
The Serious Business of Writing Comedy
Ever since the launch of my latest humorous women’s fiction book, My Own Personal Soap Opera, I’ve been blogging at various sites, usually on the theme of how to write comedy. Most of the time, I’ve taken a tongue-in-cheek approach to my topic, even penning a “scholarly essay” about the subject, based on my extensive studies as a graduate student at the University of Gussberry-on-Hornsplatt, or UGH as we commonly called it.
I didn’t attend UGH, of course. Nor have I ever studied how to write the comedic novel. A number of people have commented on these posts, however, who are struggling with how to write comedy and looking for some how-to tips.
My main message in my posts, hidden beneath my humor, has been: do what comes naturally. If it’s funny to you, chances are it might be funny for someone else. Writing comedy, in other words, is really no different than writing anything. Readers’ tastes are subjective. What enthralls one might leave another cold. The same is true with humor. What gets me giggling might not be what hits another’s funny bone. Therefore, as a writer of comedy, I can only strive to write the funniest things that make me laugh, hoping they’ll bring smiles or chuckles to others, too.
That said, comedy writers face a significant challenge. A big part of triggering a laugh is the element of surprise. The unexpected pratfall, the unanticipated quip, the out-of-the-blue silly pun in an otherwise serious situation. But once you put your “surprise” bit of humor on paper, it’s lost its ability to surprise you, the writer. Editing then becomes difficult. You end up constantly asking yourself: was this really funny when I wrote it or was I just in a silly mood?
Writers of serious stories don’t face that challenge so much. They can revisit their manuscripts, editing and revising and reshaping to their heart’s content without this “funny surprise” problem. When you consider that an author might have to reread her manuscript a half dozen times or more before it goes to print, you can see how the glow of a humorous situation or wordplay might start to dim over time. Judging the effectiveness of the humor in a manuscript becomes a tough task indeed.
The only solution I have come up with is to have people whose honesty and opinion I trust read manuscripts for me. I ask them not only if they laughed or smiled, but what specifically triggered those reactions. If I’m particularly proud of some funny moments they don’t mention, I ask their reactions to those.
Critique partners play an important role in any writer’s life, but are absolutely critical in the life o of the writer of humorous fiction. I strongly recommend that approach to anyone who writes humor.
Thanks for having me as a guest – I’d be happy to answer questions for you in the comments as best I can!
MY OWN PERSONAL SOAP OPERA BY LIBBY MALIN—IN STORES APRIL 2010
Is life stranger than fiction, or vice versa?
Frankie McNally has found the perfect solution for life’s perplexing problems: as head writer for the daytime soap Lust for Life, she works them out on the air!
Meanwhile, Frankie’s being courted simultaneously by the dashing older man sent in to save the show’s sagging ratings and by the soap’s totally hot leading man. And just when Frankie thinks the plot couldn’t get more complicated, a jewel thief starts copying the show’s storyline-a development that could send the show’s ratings soaring, if it doesn’t get Frankie arrested first…
In her signature blending of the hilarious with the poignant, Libby Malin’s latest light-hearted novel combines the best of life and of fiction into an entertaining and incredibly satisfying read.
ABOUT THE AUTHOR
Libby Malin is published in women’s fiction, including the books Fire Me, My Own Personal Soap Opera and Loves Me, Loves Me Not. Writing as Libby Sternberg, she is also an Edgar nominated YA mystery writer. As Libby Sternberg, she has an adult historical mystery offered exclusively on Kindle called Death Is the Cool Night. Her first print adult historical, Sloane Hall (inspired by Jane Eyre and set in old Hollywood), will be released in September.
Libby has worked in public relations, as an education reform advocate, and was a member of the Vermont Commission on Women. She is the proud mother of three children and lives with her wonderful husband in Lancaster, Pennsylvania. For more information please visit www.LibbysBooks.com or her blog, www.LibbysBooks.blogspot.com. You can drop her a note at Libby_Malin@hotmail.com if you’d like to be put on her email list. Also, you can friend her on Facebook at Libby Malin Sternberg.
Giveaway:
There will be two (2) winners for this title. Thanks to Danielle at Sourcebooks.
US and Canada addresses only. No PO Boxes please.
Leave a comment or a question for Libby Malin to win. Send your mailing address here at the same time. Please put in the Subject/URL line: Libby Malin’s Book
On April 23, I’ll send the winner’s address to the publisher for your book.
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